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Columns

April 16, 2009

Jim Atwell: The latest in a long line

First, an apology: Last week, I chopped two inches off Reid the Fly Creek barber’s height. He is not a towering six-foot-six, but a stratospheric six-foot-eight. Watch out, low-flying aircraft.

Reid’s Fly Creek shop shows every sign of continued success. It reminds me that, before a recent hiatus of about fifteen years, Fly Creek had probably had an almost unbroken line of barbers back to its earliest days. Such was the way with hamlets like ours, which met most of their needs with shops and stores right at hand.

And we had industry, too. Through the 19th century’s second half, Fly Creek was noisy, six days a week, with the steady clanks and bangs coming from the Badger Ironworks. Badger’s poured and assembled all manner of castiron objects, including a handsome woodstove now on display in our Historical Society. I’m guessing even the Sabbath must have been fairly noisy around here, at least on toward eleven o’clock. That’s when the bells of all three flourishing churches vied to lure the devout.

The 1872 Fly Creek boasted, beside Badger’s, a general store, a machine shop, three blacksmiths, two wagon-wrights, a cobbler, a creamery, two hat shops, a hotel, and, of course, a barber shop. I’m not sure where that barber was located, but I do know where his lineal successor did business in the 1930’s. It was right where Reid has set up shop.

My source for that fact was Arrie Hecox, who lived Fly Creek history from his 1914 birth till his death after the century’s end. Arrie patronized that barber and had colorful tales about him, some downright bizzare. The man, for instance, never could find a set of false teeth that pleased him. When he got a new set, he added the rejects to a collection in the barbershop.

In the barber chair, said Arrie, a customer faced all of the barber’s former china choppers, grinning at him from the four shelves of a glass-front cabinet. Card games went on in that shop constantly, with the barber almost always involved. He’d leave his hand face down on the table and watched the play while he clipped away on a customer.

(More than a few earlobes got snipped in the process.) When his turn came to play, he’d abandon his customer and sit at the table. Then he’d go back to his clipping with no apology to customer, who’d likely been following the game, too.

That barber, said Arrie, had victimized himself with drink, to the point that delirium tremens made his hands shake violently. When he’d lathered up a customer’s neck and around his ears, he’d have to gather himself before wielding the straight razor. ``Men who never prayed anywhere else,’’ Arrie said grimly, ``would pray in that barber chair.’’

Sadly the barber’s D.T.’s got so bad that they produced awful hallucinations, usually while he was alone in the shop. He’d feel ants crawling up his pants legs, see giant spiders scooting up the walls and dropping from the ceiling. Neighboring storekeepers would hear him screaming in terror and rush to his aid.

Like an EMT unit, they’d run into the barbershop, grab the hysterical man, and throw him face down across three chairs. Then, as one sat on his back, a second pulled off his shoes and socks, and a third fetched a wide pine board kept in the corner for such emergencies. The third man would haul off with that board and, WHAM!, slam the barber across the bare soles of both feet. I guess it was a kind of primitive reflexology that set synapses sparking all through his brain.

The effect was instantaneous. They sat the nowcalm barber up. He thanked them, pulled on his shoes and socks and limped over to the barber chair, ready for the next customer. Not a biting ant to be felt, not a giant spider to be seen. Until the next time.

I hope to convince Reid that, next Fly Creek Day, we should stage a re-enactment of his predecessor’s rescue from his delusions.

This would show hundreds of bargain-hunters (here for the yard sales) one of our hamlet’s great traditions: We look out for each other.

I figure the reenactment should be staged at least four times during the day. We’ll close off the Four Corners, and that would be the signal for Reid, inside the shop and dressed like a ‘30’s barber, to begin whooping and bellowing about ants and spiders. In turn, that would signal staff from Portabello, the general store, and Harmony House (all dressed in Depression garb) to rush towards the barbershop.

At that point, Reid would burst forth, brushing imaginary spiders from his head and slapping his pants legs to squash the ants, his face a twisted mask of terror. (The reenactment can’t be inside the shop because the crowd wouldn’t see.) So Reid will burst forth, still bellowing, halfway collapse down his front steps, and fall to the sidewalk on his face. (Shuddering moans would be good at this point, but we’ll leave Reid to improvise.) What drama!

Now his rescuers will be at his side. Dirk of Harmony House will sit on Reid’s back. I’d thought of having Josh of Portabello’s do that, but we don’t want broken bones. Instead, Josh will yank off the shoes and socks.

By then, Big John of the general store, almost as tall as Reid, will have run in and out of the shop, bringing with him the big pine board. Stationing himself south of Reid’s feet, John will drop into a batter’s stance (an homage to Cooperstown), then haul off and slam Reid’s feet. I’m thinking we can count on a realistic scream from Reid. But then, wondrous to behold, he will sit up, looking dazed. His helpful friends will get him to his feet, then hand him his shoes and socks. And a grateful Reid, after shaking hands all around, will hobble up the steps and into his shop. The cheers, the whistles, the applause will be deafening.

That’s when we pass the hat.

Read about Jim Atwell’s book, From Fly Creek--Celebrating Life in Leatherstocking Country, at JimAtwell. com

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